Russian writers lack imagination. Here is, for example, a typical Hollywood thriller story.
A boy accidentally kills his father’s daughter with his mother’s gun. For the police, everything is extremely clear and the case can be closed, but here a sociopathic detective with a nervous tick enters the game, to whom, despite the protests, the boss gives a partner - a rare deadlock. The detective draws attention to the fact that the little boy could not physically shoot because the gun is very tight. Furthermore, in the course of the investigation, it turns out that the dead girl was drawn into a spy game - not long before her death she stole important information from people living in the neighborhood (who, it turns out, were Russian spies). Her father is an employee of the CIA, but as it turns out, he mysteriously disappears. When a detective approaches the puzzle too close, a hunt begins for him - pursuit, shooting, killing the foolish partner. As a result, he gets captured, where he meets with the main fool - the father of the girl (which is not actually his daughter). The father tells all his insidious plans (he is a double agent and stole information from the CIA for mm... China, and the girl learned too much). At the last moment, when GG is going to kill the detective, a partner-tupis appears, who turns out to be a secret CIA agent who mimicked his death, kills GG and saves the detective.