I remembered William our Shakespeare because after watching Romeo and Juliet in the Globe theatre, I thought about similar things. Shakespeare, the wretch, was perfectly able to combine all this high and low correctly. First there on the stage are Benvolio, Mercucio and the servants, a bunch of wickedness, jokes around the belt, and then the further the higher. And then I thought that it was necessary - figuratively speaking, not to look for the spectator high somewhere there, above his head, but first to grab the living in the eggs, and from there to pull through the intestines and ribs up. Therefore, those classical productions where all the “low” is cleaned up, chopped out or weakened become boring, and those where in favor of the viewer they throw away the “high sense” are meaningless.